Plínio Marcos
Birthday: Born in 1935-09-29 in Santos, São Paulo, Brazil
Deathday: 1999-11-19
Plínio Marcos de Barros (September 29, 1935 – November 19, 1999) was a Brazilian writer, author, actor, theater director and journalist. He wrote numerous plays, written mainly during the time of the military regime in Brazil. He was married for 25 years to journalist Vera Artaxo, who died in July 2010, and, previously, to actress Walderez de Barros, with whom he had three children, including playwright Leo Lama.
TV Credits
A Volta de Beto Rockfeller
Character: Vitório
The big shot Albert returns after three years, reuniting with his family — his parents and his sister. And he gets in touch with some acquaintances, such as his old friend Vitório and a decadent high society woman. And once again Albert, the Rockefeller gets involved with millionaires and opportunists....
Bandeira 2
Character:
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Tchan, a Grande Sacada
Character: Ventura
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Beto Rockfeller
Character: Vitório
Albert, the Rockefeller is a Brazilian telenovela produced by TV Tupi and aired from November 4, 1968 to November 30, 1969. It was created by Cassiano Gabus Mendes, written by Bráulio Pedroso and directed by Lima Duarte and Walter Avancini....
Movie Credits
A Santa Donzela
Character:
Jordão Magalhães, a young plastic artist from a small inland city, is hired to sculpt the statue of the local virgin patron. The model that inspires her is Verinha, with whom she maintains a loving relationship....
Albert, the Rockefeller
Character: Vitório
Adaptation of the successful Brazilian TV series "Beto Rockefeller". Albert is a cunning poor man who pretends to be rich, using his congeniality and lack of morals to mix among rich people....
Fênix
Character: Self
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Letter Beyond the Walls
Character: Self (archive footage)
Letter Beyond the Walls reconstructs the trajectory of HIV and AIDS with a focus on Brazil, through interviews with doctors, activists, patients and other actors, in addition to extensive archival material. From the initial panic to awareness campaigns, passing through the stigma imposed on people living with HIV, the documentary shows how society faced this epidemic in its deadliest phase over more than two decades. With this historical approach as its base, the film looks at the way HIV is vie...