Elnur Huseynov
Birthday: Born in 1973-01-31 in Ganja, Azerbaijan
Deathday: Alive
TV Credits
Körpü
Character: Süleyman
The series begins with the life of Mamed (Nofal Shahlaroglu), who cannot pay his debts and is always in trouble. Mamed's work as an actor was never going well. On the eve of his life going wrong, he meets a spirit named Suleyman (Elnur Huseynov) who can only be seen by those who hold the magical rosary, which no one can see....
Körpünün O Tayı
Character: Süleyman
Sequel to ‘The Bridge’....
Qonşular
Character: Ələmşah
Funny stories that happen to neighbors living in the same building. However, there is no "your neighbor is bad, move out, save him" principle here. Everyone is talking and listening....
Ailəm
Character: Mobil
The story of the funny stories that befell the Jasaratov family when they moved into a new building....
Movie Credits
Wedding
Character: Ingilab
The main character Ramiz falls in love with a girl. His friend Taleh helps him to find out the location of the girl's house. When he is looking for a friend, Ramiz falls into a dream. In his dream....
Egg
Character: tayfa başçısı
In the present day, archaeologist Tapdig finds a strange egg during archaeological excavations and claims that this egg is a million years old. No matter how far-fetched it may sound, what he says is actually a reality in the parallel universe that existed millions of years ago. As Tapdig says, the tribal chief entrusts his son Dudu with the sacred eggs inherited from his grandfather, and instructs him to protect them, warning him that a great disaster will occur if these eggs break. However, by...
Drums After the Wedding
Character: Ingilab
In the face of Rakil, a lazy person, living at the expense of his sister, but constantly learning lessons in diligence and honor - a contradictory image is created that we also encounter in reality. Rakil, within the framework of tradition, turns his sister into a tool for earning money, that is, he wants to force her to marry Inghil. In families with patriarchal traditions, the tradition of turning a woman into a commodity in this status still exists....